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Printmaking has always been appreciated in France.  This was especially true in Paris in the 1980's when Max Papart (in collaboration with Robert Dutrou, Morsang Atelier and Kenneth Nahan as publisher) created a series of aquatints which became known as "Masterprints".  The difficulty of creating such works often took from six months to a year just to etch the copper plates and then another six months was needed to print the edition one sheet at a time.  Each plate was hand-inked for each piece of paper to create small editions of from 50 to 85 prints (print making that is "fifty years behind the times...").

For additional information and to purchase any of these works, please call, fax or email nahan@patinae.com noting the title of the work you wish to purchase.

Please CLICK on any of the images below to view a larger image, then use your browser's back button to return to this page.

Red Horse, 1981
Aquatint and Carborundum
28" x 27"

Banjo, 1989
Carborundum Gravure
30" x 35"

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Robert Dutrou, the famed printer and Ken
Nahan, publisher, holding a proof of the
beautiful aquatint "Deux Musiciens" after
one year of work in preparation for Max
Papart to review his work.  After Max 's
approval, everyone celebrated with a glass
of wine and a toast. - Paris, 1989

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"Masterprint"
Deux Musiciens, 1989
Aquatint with Carborundum
50" x 38"
Limited Edition of 85

Click here to view rare original jewelry inspired by Max Papart images 

Link to Max Papart graphics, page 2 

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